
“Mozart – Man” - 3rd concert of Óbuda Danubia Orchestra's Mozart-season
19:00
Concert Hall
Wolfgang - Child
Amadé - God
Mozart – Man
Program:
Idomeneo - Overture, K 366
Cosi dunque tradisci, K 432
Per questa bella mano, K 612
Idomeneo - Ballet Music (excerpts), K 366
Alcandro, Io confesso... Non so d'onde viene, K 512
Io ti lascio, oh cara, addio, K 621a
C-dúr szimfónia, no. 25, K 425
Contribution:
Krisztián Cser - voice (bass)
Óbuda Danubia Orchestra
Conductor: Máté Hámori
To play the works of Mozart is a daring venture on one hand and an obvious necessity on the other: focusing our admiration again and again on this one-time phenomenon, on the mighty oeuvre, despite its unfinished state.
It is hard to demonstrate a manifold, unearthly and yet through and through worldly phenomenon on one concert; so on three different evenings from three different points of view the Óbuda Danubia Orchestra tries to paint subjective portraits of the “musician of angels”.
Mozart had a passionate connection to opera and to human voice. In his stage-compositions he literally told everything about human spirit. The closing event of Óbuda Danubia Orchestra puts Man to the centre, understanding and loving him with all his pains, passions, loves and disillusions: Man, the living, fallible likeness of God, who takes form out of Mozart’s works. The rarely audible concert arias written for bass and excerpts from Idomeneo (KV366) shine in the darker colours of the Mozartean universe.
As on previous concerts of the series, comments of Gábor Eckhardt help to get closer to the background of the Mozart-phenomenon. The orchestra is conducted by its artistic leader, Máté Hámori. Tickets are available for 2000 HUF on the spot, in the national JEGYPONT network of Interticket and online at JEGY.HU
It is hard to demonstrate a manifold, unearthly and yet through and through worldly phenomenon on one concert; so on three different evenings from three different points of view the Óbuda Danubia Orchestra tries to paint subjective portraits of the “musician of angels”.
Mozart had a passionate connection to opera and to human voice. In his stage-compositions he literally told everything about human spirit. The closing event of Óbuda Danubia Orchestra puts Man to the centre, understanding and loving him with all his pains, passions, loves and disillusions: Man, the living, fallible likeness of God, who takes form out of Mozart’s works. The rarely audible concert arias written for bass and excerpts from Idomeneo (KV366) shine in the darker colours of the Mozartean universe.
As on previous concerts of the series, comments of Gábor Eckhardt help to get closer to the background of the Mozart-phenomenon. The orchestra is conducted by its artistic leader, Máté Hámori. Tickets are available for 2000 HUF on the spot, in the national JEGYPONT network of Interticket and online at JEGY.HU